Kneeling On The Neck captures the volatile collision of power, hypocrisy, and the rewriting of history in real time . A red Viking figure—evoking the recognizable January 6th “QAnon Shaman” trope—stands defiantly on the neck of a police officer. This inversion forces viewers to confront a disturbing truth: when certain people attack the state, it’s called “patriotism,” but when marginalized people demand justice, it’s called “violence.” Through figurative sculpture and polit

The Golden Toilet is a bold satire of political spectacle, privilege, and media obsession. An orange figure sits on a luxurious golden toilet, scrolling on a phone— self-absorbed, detached, and shameless. An orange figure sits atop an opulent, gilded toilet, scrolling endlessly on a smartphone, feet barely touching the ground. The figure embodies the spectacle of power divorced from responsibility —an emblem of leaders who prioritize vanity, media attention , and performativ

Bombs Away (In The Clouds) illustrates the surreal contradiction between peace and destruction. A red figure rides a black nuclear bomb through the clouds while holding a white flag—an image that is both absurd and deeply symbolic . This sculpture merges figurative realism with political commentary, capturing the insanity of a world that talks peace while preparing for war. It forces the viewer to confront the hypocrisy of governments that claim moral high ground while wield

Manipulation captures the psychological warfare of modern media . A person sits in a La-Z-Boy chair watching television, unaware that a larger figure looms above them holding marionette strings. Through figurative sculpture and symbolism, the piece exposes how media, algorithms, and propaganda shape behavior, beliefs, and identity without consent. This work critiques a world where freedom feels real, but control is hidden . People think they are choosing, but their choices

Built On Their Backs exposes the foundations of systemic oppression. A king sits on a throne carried by two kneeling figures, transforming exploitation into symbolic realism . The sculpture critiques historical and ongoing inequities , including slavery, capitalism, and unjust labor systems, inviting viewers to reflect on society’s complicity in sustaining hierarchies . The work questions the morality of inherited power . When societies allow wealth and privilege to exist a

Religious constructs have long shaped cultural behavior, often creating hierarchies and moral inconsistencies. What If God Were One Of Us envisions a godlike figure resting in the clouds, questioning the fabricated perceptions of divinity imposed on society. Through figurative sculpture and symbolic realism, the work critiques the human tendency to enforce morality selectively, revealing the contradictions between preached virtue and practiced action. The piece invites ref

Lady Liberty interrogates the meaning of justice and patriotism. A pink figure stands in a war stance, Lady Liberty hat on and torch at her feet, questioning performative nationalism and societal complicity in inequality. Through figurative sculpture and symbolic realism, the work critiques the ways symbols of freedom can obscure systemic injustice. . The sculpture highlights the tension between national ideals and lived reality . People are often told that liberty exists,

Radicalization, nationalism, and the spectacle of violence are forces that shape societies in dangerous ways. Bombs Away captures this through a figure sitting atop a nuclear bomb, holding a flag split by color—a striking metaphor for ideological division. The sculpture uses symbolic realism to critique how destructive narratives become normalized and how people are complicit, whether through action or inaction, in perpetuating cycles of conflict. This piece interrogates the

The medical-industrial complex often places profit above human dignity, particularly for pregnant individuals. The Problem With Pregnancy critiques the financial, emotional, and systemic exploitation embedded in healthcare. A woman holding her pregnant belly embodies the tension between vulnerability, bodily autonomy, and societal control, making visible the hidden costs of medical inequities . Through figurative sculpture and symbolic realism, the piece highlights how acce

Transformation and resilience are at the heart of Rebirth , a surreal sculpture where a flower grows from the base of a half-figure. The work symbolizes the potential for growth and renewal after destruction, both individually and collectively. Through figurative and conceptual sculpture, the piece reflects on how people can overcome societal pressures, personal trauma, and systemic oppression to reclaim autonomy and equality. The sculpture critiques social structures that st

Rooted In Work depicts a figure slumped over a desk, surrounded by coffee cups and a piggy bank—a striking metaphor for how labor exploitation and systemic stress consume human life. Through figurative sculpture and conceptual art, the piece critiques the commodification of people , emphasizing that freedom from oppression and equitable treatment in the workplace are fundamental human rights. The work challenges audiences to reflect on societal structures that value producti

The intersection of religion and politics has long shaped societal values, sometimes with devastating consequences. With One Hand On The Bible explores how extremist ideology can disguise itself as faith. The MAGA-hat-wearing shooter standing on a Bible is a provocative symbol of how ideology can justify violence and oppression. Through figurative sculpture and symbolic realism, the work critiques the moral contradictions that arise when religious belief is weaponized to s