Built On Their Backs exposes the foundations of systemic oppression. A king sits on a throne carried by two kneeling figures, transforming exploitation into symbolic realism . The sculpture critiques historical and ongoing inequities , including slavery, capitalism, and unjust labor systems, inviting viewers to reflect on society’s complicity in sustaining hierarchies . The work questions the morality of inherited power . When societies allow wealth and privilege to exist a

Lady Liberty interrogates the meaning of justice and patriotism. A pink figure stands in a war stance, Lady Liberty hat on and torch at her feet, questioning performative nationalism and societal complicity in inequality. Through figurative sculpture and symbolic realism, the work critiques the ways symbols of freedom can obscure systemic injustice. . The sculpture highlights the tension between national ideals and lived reality . People are often told that liberty exists,

Let’s Make A Deal exposes systemic corruption and the complicity that sustains it. Figures trapped in a cage while government officials shake hands above transform political power and social control into symbolic, conceptual sculpture. The work interrogates the ways societies allow inequality, oppression, and exploitation to flourish under the guise of legitimacy. The piece questions the role people play in perpetuating injustice . When citizens remain passive or are manipu

The medical-industrial complex often places profit above human dignity, particularly for pregnant individuals. The Problem With Pregnancy critiques the financial, emotional, and systemic exploitation embedded in healthcare. A woman holding her pregnant belly embodies the tension between vulnerability, bodily autonomy, and societal control, making visible the hidden costs of medical inequities . Through figurative sculpture and symbolic realism, the piece highlights how acce

Weight of the World depicts a small yellow figure pushing an oversized globe, symbolizing how systemic political, economic, and social forces weigh heavily on individuals . Through conceptual figurative sculpture, the work interrogates the emotional and psychological burdens imposed by society while asserting that people deserve freedom from oppression and exploitation. This piece questions societal priorities: why do systems tolerate inequality while expecting individuals

Suicide is an urgent reflection of societal neglect and emotional crises. Societal Sickness presents a person with a noose around their neck, standing on a chair, transforming private suffering into public social critique . Through symbolic realism and contemporary sculpture, the work challenges viewers to confront the emotional toll of inequality, systemic failure, and cultural indifference , highlighting the urgent need for justice and equitable support systems. The sculp

Rooted In Work depicts a figure slumped over a desk, surrounded by coffee cups and a piggy bank—a striking metaphor for how labor exploitation and systemic stress consume human life. Through figurative sculpture and conceptual art, the piece critiques the commodification of people , emphasizing that freedom from oppression and equitable treatment in the workplace are fundamental human rights. The work challenges audiences to reflect on societal structures that value producti

There’s Ghosts In This Room forces viewers to confront the human cost of political inaction . A lone shooter standing atop a school desk surrounded by scattered supplies is both surreal and painfully real. This figurative sculpture transforms invisible trauma into something tangible, demanding that we acknowledge the lives lost and the fear imposed on countless students. Every empty desk and fallen notebook becomes a symbol of opportunity stolen and innocence destroyed. The