Bodies for Minerals exposes the violent cost of modern technology. An iPhone protrudes from the backs of piled bodies, transforming consumer electronics into symbols of exploitation . Through brutal figurative sculpture and stark symbolism, the piece confronts the human sacrifices embedded in global supply chains —mining, labor abuse, and environmental destruction. This work challenges the illusion of progress. Society praises innovation while ignoring the blood beneath th

Orgy explores the societal obsession with sex and the loss of intimacy in a hypersexual culture. Multicolored figures intertwine in a chaotic, exaggerated scene, transforming desire into spectacle. Through surrealism and figurative composition, the piece questions whether modern sexuality is liberation—or another form of control. This sculpture critiques the commodification of the body . Media, pornography, and consumer culture sell sex relentlessly, but rarely honor connec

Manipulation captures the psychological warfare of modern media . A person sits in a La-Z-Boy chair watching television, unaware that a larger figure looms above them holding marionette strings. Through figurative sculpture and symbolism, the piece exposes how media, algorithms, and propaganda shape behavior, beliefs, and identity without consent. This work critiques a world where freedom feels real, but control is hidden . People think they are choosing, but their choices

Riveara At The Grave Site confronts the intersection of privilege, war, and apathy. An orange figure reclines casually in a lounge chair surrounded by skulls, a chilling representation of how political leaders and those in power often remain comfortable while people suffer and die . This sculpture uses surrealism and figurative art to expose the moral decay of indifference , particularly in contexts like Gaza, where human lives become casualties of political agendas . The p

Waiting On The World To Change reflects our collective paralysis in the face of climate collapse. A large green figure sits peacefully with arms resting on their knees beside a flower, symbolizing the tension between serenity and urgency . Through minimalist surrealism and symbolic sculpture, the piece highlights society’s dangerous tendency to wait rather than act. The sculpture critiques the myth that change will come on its own. While the planet warms, oceans rise, and c

Radicalization, nationalism, and the spectacle of violence are forces that shape societies in dangerous ways. Bombs Away captures this through a figure sitting atop a nuclear bomb, holding a flag split by color—a striking metaphor for ideological division. The sculpture uses symbolic realism to critique how destructive narratives become normalized and how people are complicit, whether through action or inaction, in perpetuating cycles of conflict. This piece interrogates the

Disconnected From The Cross examines the gap between religious belief and moral action. A Jesus-like figure stands apart from the cross, illustrating the tension between performative faith and lived values. Through figurative sculpture and symbolic realism, the piece critiques cultural hypocrisy , questioning how societal adherence to religious symbols often fails to produce justice or equality in practice. The work challenges viewers to consider the disconnect between ideo

Transformation and resilience are at the heart of Rebirth , a surreal sculpture where a flower grows from the base of a half-figure. The work symbolizes the potential for growth and renewal after destruction, both individually and collectively. Through figurative and conceptual sculpture, the piece reflects on how people can overcome societal pressures, personal trauma, and systemic oppression to reclaim autonomy and equality. The sculpture critiques social structures that st