Disconnected From The Cross: Examining the Gap Between Religious Belief and Moral Action

Disconnected From The Cross examines the gap between religious belief and moral action. A Jesus-like figure stands apart from the cross, illustrating the tension between performative faith and lived values.

Through figurative sculpture and symbolic realism, the piece critiques cultural hypocrisy, questioning how societal adherence to religious symbols often fails to produce justice or equality in practice.

The work challenges viewers to consider the disconnect between ideology and behavior. Religion should inspire ethical action, empowerment, and community care, yet societal institutions frequently prioritize appearances over substance. People deserve the freedom to practice faith authentically, without systems that exploit belief to justify inequity or exclusion.

By externalizing this spiritual and societal tension, the sculpture highlights complicity. Observers are prompted to reflect on how their own beliefs, or lack of questioning, may enable societal oppression. True freedom and equality require that values extend beyond ritual and symbolism into tangible, just action.

Ultimately, Disconnected From The Cross is both critique and invitation. It asks society to measure the moral consistency of its faith, urging people to live in alignment with justice, protect equality, and reclaim spirituality as a force for societal good.

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