Kneeling On The Neck captures the volatile collision of power, hypocrisy, and the rewriting of history in real time . A red Viking figure—evoking the recognizable January 6th “QAnon Shaman” trope—stands defiantly on the neck of a police officer. This inversion forces viewers to confront a disturbing truth: when certain people attack the state, it’s called “patriotism,” but when marginalized people demand justice, it’s called “violence.” Through figurative sculpture and polit

Bombs Away (In The Clouds) illustrates the surreal contradiction between peace and destruction. A red figure rides a black nuclear bomb through the clouds while holding a white flag—an image that is both absurd and deeply symbolic . This sculpture merges figurative realism with political commentary, capturing the insanity of a world that talks peace while preparing for war. It forces the viewer to confront the hypocrisy of governments that claim moral high ground while wield

Bodies for Minerals exposes the violent cost of modern technology. An iPhone protrudes from the backs of piled bodies, transforming consumer electronics into symbols of exploitation . Through brutal figurative sculpture and stark symbolism, the piece confronts the human sacrifices embedded in global supply chains —mining, labor abuse, and environmental destruction. This work challenges the illusion of progress. Society praises innovation while ignoring the blood beneath th

Manipulation captures the psychological warfare of modern media . A person sits in a La-Z-Boy chair watching television, unaware that a larger figure looms above them holding marionette strings. Through figurative sculpture and symbolism, the piece exposes how media, algorithms, and propaganda shape behavior, beliefs, and identity without consent. This work critiques a world where freedom feels real, but control is hidden . People think they are choosing, but their choices

Missing addresses disappearance, loss, and societal neglect. A blue figure sits atop a spilled milk carton dripping blood, symbolizing the invisible victims of violence, systemic failure, and social indifference. Through figurative sculpture and symbolic realism, the work critiques society’s failure to protect the most vulnerable and questions the ethical responsibility of people in addressing injustice. The piece emphasizes that freedom and equality are meaningless if soci

Built On Their Backs exposes the foundations of systemic oppression. A king sits on a throne carried by two kneeling figures, transforming exploitation into symbolic realism . The sculpture critiques historical and ongoing inequities , including slavery, capitalism, and unjust labor systems, inviting viewers to reflect on society’s complicity in sustaining hierarchies . The work questions the morality of inherited power . When societies allow wealth and privilege to exist a

Religious constructs have long shaped cultural behavior, often creating hierarchies and moral inconsistencies. What If God Were One Of Us envisions a godlike figure resting in the clouds, questioning the fabricated perceptions of divinity imposed on society. Through figurative sculpture and symbolic realism, the work critiques the human tendency to enforce morality selectively, revealing the contradictions between preached virtue and practiced action. The piece invites ref

Radicalization, nationalism, and the spectacle of violence are forces that shape societies in dangerous ways. Bombs Away captures this through a figure sitting atop a nuclear bomb, holding a flag split by color—a striking metaphor for ideological division. The sculpture uses symbolic realism to critique how destructive narratives become normalized and how people are complicit, whether through action or inaction, in perpetuating cycles of conflict. This piece interrogates the

Let’s Make A Deal exposes systemic corruption and the complicity that sustains it. Figures trapped in a cage while government officials shake hands above transform political power and social control into symbolic, conceptual sculpture. The work interrogates the ways societies allow inequality, oppression, and exploitation to flourish under the guise of legitimacy. The piece questions the role people play in perpetuating injustice . When citizens remain passive or are manipu

The medical-industrial complex often places profit above human dignity, particularly for pregnant individuals. The Problem With Pregnancy critiques the financial, emotional, and systemic exploitation embedded in healthcare. A woman holding her pregnant belly embodies the tension between vulnerability, bodily autonomy, and societal control, making visible the hidden costs of medical inequities . Through figurative sculpture and symbolic realism, the piece highlights how acce

Disconnected From The Cross examines the gap between religious belief and moral action. A Jesus-like figure stands apart from the cross, illustrating the tension between performative faith and lived values. Through figurative sculpture and symbolic realism, the piece critiques cultural hypocrisy , questioning how societal adherence to religious symbols often fails to produce justice or equality in practice. The work challenges viewers to consider the disconnect between ideo

Transformation and resilience are at the heart of Rebirth , a surreal sculpture where a flower grows from the base of a half-figure. The work symbolizes the potential for growth and renewal after destruction, both individually and collectively. Through figurative and conceptual sculpture, the piece reflects on how people can overcome societal pressures, personal trauma, and systemic oppression to reclaim autonomy and equality. The sculpture critiques social structures that st

Hyper-Sex critiques this phenomenon, placing a figure atop a giant banana with whipped cream and a cherry—an absurd yet striking symbol of exaggerated desire . Through pop-surrealism and figurative sculpture, the work interrogates the effects of media on human relationships, emphasizing how cultural obsession with sexual spectacle undermines authentic connection and personal freedom. The sculpture challenges society’s complicity in normalizing exploitation . People are bom